![]() ![]() These are combined in a brilliant way as the movement draws to a close. From time to time Mozart does treat it to ‘learned’ counterpoint, but always with his characteristically light touch, and interspersed with dashing passages of virtuoso piano-writing. Its opening phrase has a rather antique character, like a subject for an organ fugue. Again the style of the elaboration seems to suggest homage to Haydn. The Larghetto is a movement of highly decorated lyricism, with a simpler and more poised middle section. Only at the start of the central development section does Mozart venture further afield, with a new theme first on violin then on cello. The first-movement Allegro is constructed virtually throughout from the opening phrases, in which piano and stringed instruments answer each other-an economy of means that is much more characteristic of Haydn than of Mozart. These are quite different from the contemporary ‘accompanied sonatas’, giving the violin and cello an independence on which Beethoven was later to build.ĭespite this new independence of the string parts, the B flat Trio has a particularly flamboyant character in its piano-writing which makes it seem almost like a concerto. 1786 was the year of three of his greatest piano concertos (K488 in A major, K491 in C minor, and K503 in C major) and of three trios-the sublime ‘Kegelstatt’ Trio for clarinet, viola and piano (K498), and the first two of his mature trios for violin, cello and piano, in G major (K496) and B flat major (K502). When he had first moved there, pianos were not yet the dominant keyboard instrument (as they already were in London and Paris), and it was Mozart more than anyone who awoke the Viennese to the possibilities of the piano as a concerto and chamber instrument. He had now been living in Vienna for five years. ![]() The previous year he had completed the six string quartets dedicated to Haydn, and The Marriage of Figaro received its premiere in May 1786. ![]() In 1786, when he wrote the Piano Trio in B flat major K502, Mozart was at the height of his powers and enjoying the only period of real success in his adult career. ![]()
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